Traditional Tuesday Dance – Black History Month!

The hot jazz we love and the swing dance to which we groove were created and enriched by Black Americans. The weekly Traditional Tuesday night swing dances (with live bands!) is adding to the typical routine in February to pay homage to the Black artists and dancers that have forever changed the world.

Each Tuesday night at Falcon Bowl we will be teaching the swing line Dance “Shim Sham” from 7:30 to 8:00 (basic swing lesson at 7:00) and we will have a 2-hour Shim Sham lesson on Sunday February 23 from 7:00 to 9:00 PM. All free! Lessons by music/dance educator Meaghan Heinrich. Video below is Meaghan demonstrating the entire routine, along with us dancing the Shim Sham on a recent Tuesday night.

The DJ breaks feature a different pairing of early Black musicians who have inspired each other. The pairings and sets are being crafted by band leader John Mroz (Troubadours of Rhythm).

Week 1: The band break musician pair was King Oliver and Louis Armstrong. Based in New Orleans, Oliver shaped the landscape of early jazz. His move to Chicago in 1918 marked a turning point and in 1922 he summoned his protege – Louis Armstrong – to join his Creole Jazz Orchestra. Armstrong flourished and this duo ignited a musical revolution. Listen to the bands Creole Jazz Orchestra, Louis Armstrong and His Hot Five, and Louis Armstrong and His Hot Seven.

Week 2: Fletcher Henderson was paired with Duke Ellington – both influential band leaders, composers, and arrangers. Henderson was a pioneer of big band jazz and paved the way for many other band leaders, such as Ellington. In turn, Ellington became a leading figure in the Harlem Renaissance, blending blues, ragtime, and swing into a uniquely Black American sound. Henderson and Ellington both played in New York City and would be inspired by each other’s work. The great depression was hard on Henderson and he began composing for Benny Goodman. Henderson essentially created the structure for the sound of the swing big band era.

Week 3: Black women were highlighted by DJ and music educator Meaghan Heinrich during this week’s band break. Black women have deeply shaped swing jazz and swing dancing, often with the their contributions overlooked or under-appreciated due to the double hit of both misogyny and racism. Big Maybelle, Big Mama Thornton, Julia Lee, Ella Fitzgerald, Etta James, Mildred Bailey, and Norma Miller are a few of the Black women we honored this week through the music we played and the Lindy Hop we danced.

Learn Swing Dance with Paté: No Partner Needed!

If you have not been taking swing dance lessons during the week due to your work schedule…you now have a weekend option! 

Starting on the first Sunday in January 2025, dance instructor Paté (Patrice) Nassalang will be teaching 90-minute beginner/intermediate swing dance lessons almost every Sunday at Casa Collective in New Berlin. Both 6-count (“East Coast Swing”) and Lindy Hop are being taught. No experience or partner needed. Details below.

Growing up in Senegal, Paté was surrounded by the joy of rhythm and dancing from birth. There were drums in his house and drums in the neighborhood. Music, drumming, and dancing were an integral part of his culture and childhood. That love for music and movement shaped his entire life. Around 1995, Paté was chosen to be the choreographer for his region in a national televised dance competition similar to So You Think You Can Dance. At this time, he was teaching, dancing, and choreographing traditional African dance along with Hip-Hop, Salsa, and many other dance styles.

He moved to the United States in 1997 and started the weekly African drumming/dancing class at Danceworks in Milwaukee in 2003. He left for a time to work for prestigious dance groups (AADE) African American dance Ensemble of Durham  in North Carolina and Muntu Chicago. When he returned to Milwaukee in 2205, he started a Non-profit  company “Jam Ak Jam Afro Dance Theater”. Through this company he choreographed and taught dance classes throughout Midwest  schools (Milwaukee Public Schools and Universities). He has also performed with the company in some of the biggest theatres around.

Swing music and swing dance may have been created in the United States, but the roots of the sounds and movements originated in Africa. Pate has been motivated to dig deeper in doing research in African American Vernacular jazz dances’ link to traditional authentic African dances. 

The Milwaukee area has a deep and rich swing dance community. Meet new friends and confidently strut your stuff on dancefloors as there are dance events every week in and around Milwaukee. Join Paté on Sundays for the fun, the exercise, and the lifelong skill of dancing.

Location: Casa Collective Dance Studio

Time: 4:00 – 5:30 (see flyer below for dates)

Fee: $10 to $15 per class (see flyer below) 

Facebook event link: https://www.facebook.com/share/wCx1ZztxhLyYcGEU/

New Year’s Dancing

Ring in the New Year with these two fantastic dance options:

The swinging band, The Flat Cats, is playing in West Bend at The Bend Theater’s Gatsby New Years Eve Event. There is dancing opportunity at the stage as The Flat Cats are a renowned dance band. Raffles throughout the night, tasty treats, savory hors d’oeuvres, craft cocktails and champagne at midnight. This is a full-service type event from 8:30 to 12:30 for a ticket price of $35. Read more and purchase tickets here.

The other option is the weekly swing dance at the Falcon Bowl ballroom in Milwaukee. A basic swing dance lesson occurs in the main ballroom and a basic blues dance lesson occurs in the room behind the stage from 8:00 to 9:00. The Jonathan Stout Orchestra from Lindy Focus (a national Lindy Hop dance week) livestreams on a projector from 9:00 to 12:00. At 12:00 the music switches to blues with DJ Hot Jazz Cass. This event is free to enter. Falcon Bowl is a ballroom, bar, and bowling establishment with plenty of fun options for the night. Read more here on Facebook.

Traditional Tuesday Swing Dance Returns!

After a summer hiatus, the weekly “Traditional Tuesday” swing dance returns to Falcon Bowl on September 3, 2024. Every Tuesday is the free 7:00 to 7:50 basic dance lesson followed by free bands and swing DJs playing from 8:00 to 10:00 (sometimes 10:30).

The band lineup has expanded with Sweet Sheiks, 3rd Ward Jazz Band, John Carr Band, and others joining the familiar Tuesday bands of Extra Crispy Brass Band, Old Sam and the Tear Drops, and Sliphorn Jazz Band.

The dance lessons will be primarily the basic style of swing that is danced ubiquitously around Milwaukee – East Coast Swing (“6-Count Lindy Hop”) with certain dates dedicated to Blues, Balboa, and other such styles when various dance groups are preparing for their weekend workshops or special dances. The lessons are crafted to produce dancers with strong fundamentals and an appreciation of the local and greater swing/blues dance community.

How can you get involved?

This weekly event is a unique partnership between the musicians and the dancers with the shared vision of vastly expanding the Milwaukee audience that listens to – and dances to – music from this era. Being hosted at Falcon Bowl gives this partnership a boost. The venue is a wonderful and sizable dance hall surrounded by thousands of diverse citizens within a couple minutes of walk. Falcon Bowl is also the current home of Cream City Swing, the dance organization that hosts the Monday night Lindy Hop dance lessons – the only only place in Milwaukee to follow a leveling-up style of swing lessons that builds each week to produce dancers of advanced skill.

As a dancer or musician, this should excite you!

If you are interested in getting involved as a musician, dance teacher, host, DJ, promoter, or with some other skill or effort, email us at MilwaukeeStomp@gmail.com. Tell us what you have to share (time, energy, skills, resources) and to what extent you can share them with the community and we will gladly accept your offer. No effort is too small to be appreciated.

Antiquated, At Best

The Irrelevant Orchestra – headed by the dynamic Professor Pinkerton – dropped their album Antiquated, at Best early this year. The album is 11 classic swing-era songs with 6 alternate takes. The majority of the songs are ideal for dancing. Pinkerton says that the lengthy number of alternate takes included is “partially a nod to the anthologies put out by record collectors of historically famous artists.”

This album is a must for your collection. The BPM range is 100 to 240. The songs range from very mellow and sweet (Lay Some Flowers on My Grave) to very intense (Nagasaki). One could play the album straight through and dance lindy, shag, charleston, balboa, and fox trot. The joy of this album is partially the variety. The remainder of the joy is from the pure talent of this group.

There is something else about this album that is very unique. It has the energy of a live performance, but the quality of a studio recording. Pinkerton explains how they created this feel:

“We did the whole thing live, straight to tape, with just a few mics in the room, mostly in a take or two. We had a core of our regular players but half the band met for the first time that morning. Outside of some false starts, we released everything performed. 
We just had a very limited window to work with our out of town guests so I wanted to create an extremely casual and fun environment. It is also why we had so many little jokes and quips wrapped in. I was hoping to strike a balance of keeping people on their toes while not making them stiff up.”

Professor Pinkerton

Find the music

To get this fantastic album the band has vinyl, CD’s, and download codes available at their live shows.

If you can’t wait for the next live show, you can:

Antiquated, at Best album cover

The Hungry Williams

The Hungry Williams is a high energy throwback rock n’ roll band with a dynamic femme lead vocalist, rhythm guitar, and backing saxes. Sock hop grooves that twist and shout, raunchy blues, and New Orleans party vibes are the main course.

While swinging tunes aren’t the band’s primary focus, dancers will still have plenty of opportunities to hit the floor. So, don’t pass up a good swing number when you hear it – you may regret it when the next song is twice as fast.

Visit their website at www.hungrywilliams.com

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The Best Westerns

This review is in collaboration with Meaghan Heinrich. Meaghan is an experienced musician, lecturer for the Milwaukee Symphony Orchestra and several music festivals, and is a local music educator.


Traditional western swing and blues with an eclectic range of tunes from waltzes to jumps – think Hank Williams backed by Artie Shaw. A variety of styles and tempos with something for everyone. Straightforward, heartfelt vocals, pedal steel, and fiddle are a unique sonic blend over a tight and energetic rhythm section with prominent upright bass.

The Best Westerns deliver constant danceable swing tunes. Dancers will readily find a range of tempos that will keep them on the floor most of the show. This band is a bonus for those who also know Texas Two-Step.

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The Westerlees

Western swing is is a genre that is rarely played in the current swing dance scene. Which is a shame. The western sound has the expected hints of twang and emphasis on string instruments. Band founder and lead vocalist Patrick Brenner plays the steel guitar.

Patrick is also an avid swing dancer and knows exactly how to play to the dance crowd. Since the band frequently exhibits guest soloists and vocalists, a dancer can attend show after show and constantly get a fresh experience. The Westerlees are not shy about playing faster songs and are a favorite among the Balboa swing crowds.

Their website www.thewesterlees.com has links to audio clips for a taste of their sound.

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